Press – Ron Bohmer Website

"A new breed of performer has arisen - and of that new breed, none in my experience is more expert, more skilled, more instinctive or more revelatory than Ron Bohmer."

- TREVOR NUNN, acclaimed Director of Les Miserables,
The National Theatre, The RSC, CATS and Sunset Blvd

"A new breed of performer has arisen - and of that new breed, none in my experience is more expert, more skilled, more instinctive or more revelatory than Ron Bohmer."

- TREVOR NUNN, acclaimed Director of Les Miserables,
The National Theatre, The RSC, CATS and Sunset Blvd

BROADWAY

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THE WOMAN IN WHITE

"The visiting British stars Maria Friedman and Michael Ball are bolstered by American actor Ron Bohmer's gleaming wickedry as Sir Percival Glyde."
- Michael Sommers, NJ Star Ledger

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THE SCARLET PIMPERNEL

"Stronger than its original incarnation, with a new trio of stars enacting the work's central love triangle in a more intimate setting. Its leading characterizations, especially from Ron Bohmer and Carolee Carmello as the English fop with a heroic alter ego and his plucky French wife, approach psychological realism in ways they didn't before, and there is a new respectfulness in both the playing and the singing of Wildhorn's songs. Bohmer, an actor of greater emotional delicacy and natural charisma, has a charmingly quiet spark of glee in his eyes and a shimmery, excellent voice. Bohmer, Ms. Carmello and Marc Kudisch deliver - with more gravity and finesse than their predecessors."
- Ben Brantley, NY Times

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THE SCARLET PIMPERNEL

"If the current production of Pimpernel is less grandious and handsome, it's well acted and very well-sung. And it's biggest challenge filling the shoes of Douglas Sills' Percy is it's most impressive element. Ron Bohmer lacks Sills' larger-than-life silliness, so has to approach the part differently, more obliquely, offering an honest, subtler interpretation that builds admirably. Both the actor and the character slowly blossom into the fop impersonation, gradually finding the requisite extravagance while delineating the serious, idealistic side of the character with complete conviction. A good actor with a voice more operatic and of even finer quality than Sills', Bohmer succeeds at a formidable task."
- Ken Mendelbaum, In Theatre Magazine

BROADWAY

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THE WOMAN IN WHITE

"The visiting British stars Maria Friedman and Michael Ball are bolstered by American actor Ron Bohmer's gleaming wickedry as Sir Percival Glyde."
- Michael Sommers, NJ Star Ledger

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THE SCARLET PIMPERNEL

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THE SCARLET PIMPERNEL

NATIONAL TOURS

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"The production now playing at the Pantages is a theatrical knock-out. So how does it differ from the others? It's the super-charged spin that carries a zapped-up undercurrent of extra high-voltage. Let's face it, Phantom of the Opera is an extremely erotic musical. With Baritone Ron Bohmer in the title role, the Phantom is not only a larger than life romantic figure, he becomes down right seductive. Bohmer's glorious tones caress Christine"s soul, his soft tenor sweetness purrs in her ear, his burning desire stabs her heart, his boyish vulnerability attracts her like a magnet. The chemistry between this "beauty and the beast" simply sizzles."
- Shirle Gottlieb, Drama-Logue

PHANTOM OF THE OPERA

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"Ron Bohmer, a veteran of Webber musicals, is the third Phantom to play Chicago since the musical first came here in 1990. And he's a surprise. He has a big musical theatre voice, yet he's most effective at showing the pathetic, rather the than frightening, side of the character. He saves his best work for his grand finale. Cornered in his underground lair and filled with rage and frustration over his unrequited love for Christine, he acts and sings with ringing authority, becoming both scary and tragic."
- Richard Christiansen, Chicago Tribune

PHANTOM OF THE OPERA

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"As Rose and Alex, the young lovers around whom the memories of love play out into middle age, Linda Balgord and Ron Bohmer are a perfectly matched team of thoroughbreds, prancing under the silken reins (director) Robin Phillips holds securely in his hands. Both turn in powerful, moving performances, never once sacrificing the drama to the music, or vice versa. This is goosebump stuff."
- John Coulburn, The Toronto Sun

ASPECTS OF LOVE

NATIONAL TOURS

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PHANTOM OF THE OPERA

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PHANTOM OF THE OPERA

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ASPECTS OF LOVE

OFF BROADWAY

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FORBIDDEN BROADWAY

"Refreshingly vicious! Bohmer delivers a hilariously raspy-voiced rendition of Harvey Fierstein's upcoming turn as Tevye; "If I Were a Straight Man." Hilarious, expert impressions!"
- New York Post

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FORBIDDEN BROADWAY

"The most gratifying and freshest 'Forbidden Broadway' in years. The New York theater's favorite practitioner of tough love has put on the brass knuckles for this round. Four protean performers (Mr. Bohmer acutely impersonates Jerry Orbach, Harvey Fierstein, Alfred Molina and others), colorfully assume the often-colorless styles of their subjects. Astutely anatomized, painfully precise satire!"
- Ben Brantley, The New York Times

OFF BROADWAY

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FORBIDDEN BROADWAY

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FORBIDDEN BROADWAY

REGIONAL

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"Breathtaking. Ravishing. A spirited Ron Bohmer and Erin Davie deliver emotionally dense renditions that express the characters deepest longings, lavishing regard on every note and syllable. By the time (Bohmer) completes that painting at the end of Act One, you may find yourself crying. But they're the good kind of tears, tears that come when the artifice of theatre resolves itself into solitary world - in this case, a world of transcendent beauty."
- Judith Newmark, St. Louis Post-Dispatch

SUNDAY IN THE PARK WITH GEORGE

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"In Georges Seurat, Lapine has written a complex role by any standard, especially so for a musical, and Ron Bohmer revels in it's contradictions. After my first viewing I described his performance as "robust". That sole adjective hardly suffices to convey the spectrum of emotions Bohmer evokes. His Seurat is obsessive yet short-tempered, passionate yet argumentative, admirable yet prickly. An Everest for an actor, and Bohmer scales its peaks with assurance and confidence. When, in Act Two, he returns to the stage as Seurat's great-grandson, young and beardless, initially the audience seems unsettled. Perhaps that's because we've become so invested in Georges; we hate to see him go. But then Bohmer sails through "Putting It Together", and he has won over the audience for a second time."
- Dennis Brown, The Riverfront Times

SUNDAY IN THE PARK WITH GEORGE

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"Ron Bohmer, in a glorious performance as the artist(s) George, handles the ultra-complex Sondheim lyrics perfectly, putting the stamp of completion on a production that puts everything together just the way Seurat would have wanted it. Bohmer, singing and acting with real style in a long and difficult role, scores high. A diamond-sharp production."
- Joe Pollack, St. Louis Critic

SUNDAY IN THE PARK WITH GEORGE

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"It's difficult to single out any of the actors because they are all so good, but I do think Ron Bohmer's character has the longest journey, as he learns that love of his wife beats hell out of love for electricity (the marvels of which he constantly extols, and of course, it makes his treatment technique possible) and that he can't just go from his lab to his club without a stop in between for his wife. He learns to feel jealousy, through which, under the careful tutelage of his wife (whose "angels" are outside the house in the snow) and at long last, love."
- VitalVoice

IN THE NEXT ROOM OR THE VIBRATOR PLAY

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"Since its premiere in 2009, In the Next Room often has been described as a story about the empowerment of women, so the biggest surprise about this Rep production (directed by the ever-inventive Stuart Carden, who excels with offbeat material) is the commanding presence of Ron Bohmer as the emotionless Dr. G. Bohmer skillfully infuses history's first Dr. Feelgood with an appealing drive. He personifies the proverb, "Physician, heal thyself.""
- Dennis Brown, Riverfront Times

IN THE NEXT ROOM OR THE VIBRATOR PLAY

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"From the moment he appears as the sensual and sinister Dracula, Ron Bohmer dominates the stage. Mr. Bohmer's Dracula is hypnotic, and he has captured to perfection the intense, mesmerizing stare of the infamous vampire count. His powerful baritone grows ever more effective throughout the evening, with even the highest notes progressing from thin to full. His singing is sometimes elegantly controlled as Dracula connives, sometimes terrifyingly powerful as Dracula rages. Bohmer clearly has the best role in this musical, and he makes the most of it, earning a screaming standing ovation from the audience at curtain call."
- Sally Applegate, North Shore Sunday, TownOnline.com

DRACULA

REGIONAL

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SUNDAY IN THE PARK WITH GEORGE

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SUNDAY IN THE PARK WITH GEORGE

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SUNDAY IN THE PARK WITH GEORGE

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IN THE NEXT ROOM OR THE VIBRATOR PLAY

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IN THE NEXT ROOM OR THE VIBRATOR PLAY

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DRACULA

"A new breed of performer has arisen - and of that new breed, none in my experience is more expert, more skilled, more instinctive or more revelatory than Ron Bohmer."

- TREVOR NUNN, acclaimed Director of Les Miserables, The National Theatre, The RSC, CATS and Sunset Blvd

"A new breed of performer has arisen - and of that new breed, none in my experience is more expert, more skilled, more instinctive or more revelatory than Ron Bohmer."

- TREVOR NUNN, acclaimed Director of Les Miserables, The National Theatre, The RSC, CATS and Sunset Blvd

BROADWAY

BROADWAY

NATIONAL TOURS

NATIONAL TOURS

OFF BROADWAY

OFF BROADWAY

REGIONAL

REGIONAL

- TREVOR NUNN, acclaimed Director of Les Miserables,
The National Theatre, The RSC, CATS and Sunset Blvd

- TREVOR NUNN, acclaimed Director of Les Miserables,
The National Theatre, The RSC, CATS and Sunset Blvd